![]() ![]() This little technical challenge should keep you busy during your long winter nights! Conclusion This example uses tapping with string skipping, and only the most technically proficient guitarists will be able to play it! Tapping is a technique I seldom use, but it can be a very interesting one in order to create wide intervals between the notes you play. You can also play it muting the strings and skipping strings to create new patterns. I recommend you start working out that lick very slowly. You just need to coordinate your left and right hands. Those kinds of licks are quite “flashy” and can easily impress your audience. This lick is a tribute to guitarist Steve Morse (Deep Purple, Dixie Dregs) who will very often go up a scale using chromaticism as part of his solos. – play the pattern on the blues pentatonic scale #4: Pentatonick lick with chromaticism – mute the string while playing the descending pattern – repeat the notes three times to shift the rhythm Here are a few ways you can slightly modify that lick: And so on.I love to use those kinds of licks in my solos. Once you’ve played those four notes, take that pattern one note lower in the scale. The pattern is as follows: play two notes, then play the next two descending notes from the scale. This is a sequence going down a scale except here some notes are doubled. This lick was strongly inspired by the late great Dimebag Darrell (of the band Pantera). ![]() ![]() Most guitarists are usually familiar with the first position: The pentatonic scale is made up of the following degrees: 1 b3 4 5 b7. This 5-note scale works in almost any context! It is commonly used in rock, jazz, blues and metal. It truly is a safety net for any budding guitarist, and usually is the first scale you learn when starting out soloing on the guitar. The pentatonic scale really needs no introduction. Reminder about the pentatonic scale and its positions moving the pentatonic scale around 3 octaves.Here is what we’re going to be working on: In this article, you will discover 21 licks using the pentatonic scale that will inspire new concepts to integrate as part of your guitar solos. _.gpĭo you feel like you’re stuck when you’re improvising using the pentatonic scale? Always playing the same licks? Have a hard time being creative and venturing out of the first position of the scale? ![]()
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